{"title":"ARCHEOLOGY \u0026 ANTIQUITIES","description":"\u003cp class=\"p1\"\u003eArcheology Antiquities\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eArcheology, Antiquities, Classical Antiquity, Ancient Egypt, Greece, Rome, China, India, Mesopotamia, Persia Israel, Mediterranean, Sculpture, Marble, Bronze, Silver, Gold, Ceramic, Glass, Portrait, Figure, Relief, God, Collection\u003c\/p\u003e","products":[{"product_id":"a-large-egyptian-alabaster-jar-roman-period","title":"A LARGE EGYPTIAN ALABASTER JAR ROMAN PERIOD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlabaster Jar Roman Period (SOLD)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eH. 24 cm. Alabaster.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEgypt, Late Period-Roman Period, 2nd half 1st cent. B.C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlabastron shaped vessel with a wide neck and bails  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ARCHEOLOGY \u0026 ANTIQUITIES","offers":[{"title":"Default Title","offer_id":29687794898,"sku":"7794898","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/alabaster_alabastron.jpg?v=1562506050"},{"product_id":"grand-tour-bronze-jardiniere","title":"GRAND TOUR BRONZE JARDINIERE","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eGRAND TOUR ITALIAN BRONZE JARDINIERE AFTER THE ANTIQUE, BY SABATINO DE ANGELIS \u0026amp; FILS, 1906\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"overview\"\u003eThe pierced slatted basket with carying handles supported by three herm monopodiae, the inside of the basket (missing) inscribed \u003ci\u003eSab de Angelis \u0026amp; Fils, Naples 1906\u003c\/i\u003e\u003cbr\u003e\u003cspan\u003eH. 89 cm; W. 56 cm; D. 42 cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"overview\"\u003e\u003cspan\u003e After the : Roman Original Brasero \u003c\/span\u003e\u003cspan\u003eBronze tripod with itiphallic Satyrs - \u003c\/span\u003e\u003cspan\u003e1st century BC \u003c\/span\u003e\u003cspan\u003e- from Julia Felix house at Pompeii - Naples, Archaeological Museum (\"Secret Room\").\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.christies.com\/lotfinder\/furniture-lighting\/an-italian-bronze-jardiniere-after-the-antique-5337779-details.aspx?from=searchresults\u0026amp;pos=396\u0026amp;intObjectID=5337779\u0026amp;sid=46f3692d-838c-4687-8ae0-373d2c045e67\" target=\"_blank\"\u003ehttp:\/\/www.christies.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/tripod-faun_large.jpg?v=1485788732\" alt=\"AN ITALIAN BRONZE JARDINIERE AFTER THE ANTIQUE, BY SABATINO DE ANGELIS \u0026amp; FILS\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the second half of the xixth century, European artists travelling about the archeological sites of the Mediterranean world created a particular pictorial style. The renewal of the Pompei excavations provided them with a privileged ground for staging a more intimist history relying more on a carnal contact with the daily objects of the Ancients than on literary texts. This “pictorial history” that might be referred to as emotional is nonetheless supported by a genuine concern for erudition. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDans la seconde moitié du xixe siècle, des artistes européens voyageant sur les sites archéologiques du monde méditerranéen, créent un style pictural particulier qui s’adonne au plaisir de la restitution. Le renouveau des fouilles à Pompéi leur offre un terrain de prédilection pour mettre en scène une histoire plus intimiste qui s’appuie plus sur un contact charnel avec les objets du quotidien des Anciens que sur les textes littéraires. Cette « histoire picturale » que l’on pourrait qualifier d’affective est néanmoins soutenue par un véritable souci d’érudition.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Brasero_de_Pompeya_large.jpg?v=1485788652\" alt=\"Tripod Pompeia Roman Bronze\"\u003e\u003c\/p\u003e\n\u003cp\u003eBronze. 1st century CE.\u003cbr\u003eH. 91.5 cm; W. 57 cm; D. 47 cm (top of the basin).\u003cbr\u003eInv. No. 27874.\u003cbr\u003eNaples, National Archaeological Museum.\u003cbr\u003e\u003cspan\u003eFrom the sacrarium of the complex of Julia Felix in Pompeii (II. 4. 6). Found in June 15, 1755.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"language it\" title=\"\"\u003eItaliano:\u003c\/span\u003e Tripode di bronzo con satiri itifallici, da Pompei (Praedia di Julia Felix), oggi nel Museo Archeologico di Napoli, sezione Gabinetto Segreto (inv. nr. 27874).\u003cbr\u003e\u003cspan class=\"language es\" title=\"Español\"\u003eEspañol:\u003c\/span\u003e Objeto para mantener el fuego con motivos decorativos eróticos, encontrado en Pompeya\u003cbr\u003e\u003cspan class=\"language fr\" title=\"Français\"\u003eFrançais :\u003c\/span\u003e Tripode de bronze aux satyres ityphalliques : brasero en provenance de Pompéi, aujourd'hui au musée archéologique de Naples, section Gabinetto Segreto (Cabinet secret). Numéro d'inventaire : 27874\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe House of Julia Felix is a large Roman villa in the ruined city of Pompeii. It was the residence of Julia Felix, who converted portions of it to apartments after a major earthquake in 62 CE, a precursor to the eruption of Mount Vesuvius in 79 CE that destroyed the city. Archaeological excavations began in 1755 and continue to this day. As the residence of multiple family units, it is an invaluable resource for providing insights into the daily lives of the people of Pompeii.\u003c\/p\u003e","brand":"Sculpture","offers":[{"title":"Default Title","offer_id":29776326994,"sku":"6326994","price":12000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/tripod-4.JPG?v=1562506060"},{"product_id":"roman-statue-venus-aphrodite-pietro-masulli","title":"Venus or Aphrodite of Capua by Pietro Masulli","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"entry-header\"\u003e\n\u003ch1 class=\"entry-title\"\u003e\u003c\/h1\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"single-feat clearfix\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cdiv class=\"post-content\"\u003e\n\u003cdiv class=\"wdgpo wdgpo_small_count\"\u003e\n\u003cdiv id=\"___plusone_0\"\u003eBronze Statue of Venus or Aphrodite of Capua signed Pietro Masulli.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"imgSection\"\u003e\n\u003cp\u003eA very fine patinated statue after its prototype the Antique statue of  “Venus or Aphrodite of Capua” by master sculptor Pietro Masulli who worked in Naples, during the Grand Tour 19th century Period.\u003c\/p\u003e\n\u003cp\u003eThe goddess Venus or Aphrodite is represented semi-naked. Raised arms indicate that they probably held a shield, perhaps of Mars, used by the goddess to  mirror herself.\u003c\/p\u003e\n\u003cp\u003eBronze – Lost-wax casting technique\u003cem\u003e \u003c\/em\u003e49.5 cm high\u003ca href=\"https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/venus.jpg\" rel=\"attachment wp-att-4783\"\u003e\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eVenus or Aphrodite of Capua is a statuary type representing a semi-naked Aphrodite.\u003c\/p\u003e\n\u003cp\u003eIts prototype, named after its findspot at the ruins of an ancient theater in Capua, Italy, is now in the Museo Archeologico Nazionale Napoli (Naples National Archaeological Museum). An earlier version of the type of the Venus de Milo, and close to the Venus of Arles, the statue probably represented the goddess admiring her reflection inside the reflective inner surface of Ares’ shield, a motif known on coins from Corinth.\u003c\/p\u003e\n\u003cp\u003eC.M. Havelock, \u003cem\u003eThe Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art\u003c\/em\u003e, University of Michigan Press, 2008.\u003c\/p\u003e\n\u003cfigure id=\"attachment_4784\" class=\"wp-caption aligncenter\"\u003e\u003ca href=\"https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/afrodite-capuamuseo-napoly.png\" rel=\"attachment wp-att-4784\"\u003e\u003cimg class=\"size-medium wp-image-4784\" src=\"https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/afrodite-capuamuseo-napoly.png?resize=212%2C300\" alt=\"Afrodite Capua Museo Napoli\" srcset=\"https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/afrodite-capuamuseo-napoly.png?resize=212%2C300 212w, https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/afrodite-capuamuseo-napoly.png?resize=150%2C212 150w, https:\/\/i2.wp.com\/www.apple-boutique.com\/wp-content\/uploads\/2016\/04\/afrodite-capuamuseo-napoly.png?w=450 450w\" sizes=\"(max-width: 212px) 100vw, 212px\" width=\"212\" height=\"300\"\u003e\u003c\/a\u003e\n\u003cfigcaption class=\"wp-caption-text\"\u003eAfrodite Capua Museo Napoli\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"captionArea\"\u003e\n\u003cp\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003eAfrodite\u003c\/span\u003e di Capua\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"descriptionArea\"\u003e\n\u003cp\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003eAfrodite\u003c\/span\u003e, stante sulla gamba destra, con il piede sinistro poggiato sull’elmo di \u003cem\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003eAres\u003c\/span\u003e\u003c\/em\u003e, è rappresentata seminuda, con un\u003cem\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003ehimation\u003c\/span\u003e\u003c\/em\u003e riccamente panneggiato che copre la parte inferiore del corpo sostenuto dal ginocchio della gamba sinistra leggermente flessa. La testa, con i capelli divisi sulla fronte e rialzati alla nuca, ornata da un \u003cspan class=\"highlightedGlossaryTerm\"\u003ediadema\u003c\/span\u003e sul cui bordo doveva esservi un filo di perle, con gli occhi allungati, il volto ovale e le labbra ben disegnate, e la parte superiore del corpo, sono volte verso sinistra, mentre le braccia sono sollevate a reggere, probabilmente, lo scudo di \u003cem\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003eAres\u003c\/span\u003e\u003c\/em\u003e, usato a mò di specchio. Restaurata nel 1820 da \u003cspan class=\"highlightedGlossaryTerm\"\u003eAugusto\u003c\/span\u003e Brunelli nelle braccia, in parte del panneggio e nel naso, insieme ad altre statue in marmo (ad es. l’Adone e la cd. \u003cem\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003ePsyche\u003c\/span\u003e\u003c\/em\u003e) decorava la \u003cem\u003esumma \u003cspan class=\"highlightedGlossaryTerm\"\u003ecavea\u003c\/span\u003e\u003c\/em\u003e dell’\u003cspan class=\"highlightedGlossaryTerm\"\u003eAnfiteatro Campano\u003c\/span\u003e di Capua. Deriva da un originale bronzeo della fine del IV sec. a.C., ripreso in età adrianea, a giudicare dalla resa morbida del volto e dal contrasto tra la levigatezza delle parti nude ed il chiaroscuro del panneggio. In età romana questo tipo venne in altri casi modificato a figura di \u003cem\u003e\u003cspan class=\"highlightedGlossaryTerm\"\u003eNike\u003c\/span\u003e\u003c\/em\u003e in atto di scrivere sullo scudo le lodi del vincitore, con l’aggiunta delle ali e di uno \u003cspan class=\"highlightedGlossaryTerm\"\u003estilo\u003c\/span\u003e nella mano destra.\u003c\/p\u003e\n\u003cp\u003ehttp:\/\/www.cambiaste.com\/fr\/febbraio-2012-n-03\/la-fonderia-chiurazzi-a-napoli-una-grande-storia-italiana-.asp\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.cambiaste.com\/fr\/febbraio-2012-n-03\/la-fonderia-chiurazzi-a-napoli-una-grande-storia-italiana-.asp\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNel 1905, uno dei più grandi cesellatori napoletani dell’epoca, Gennaro Chiurazzi, ricordando il suo maestro di scultura Pietro Masulli ne tesse le lodi per il fatto di essere stato il primo ad avere tracciato nell’arte partenopea una strada completamente opposta a quella ormai languente nelle Accademie di Belle Arti: una lavorazione artistica che era possibile applicare anche all’industria di allora, senza il rischio di diventare seriale.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ehttp:\/\/www.antiqua.mi.it\/A_bronz_lug12.htm\u003c\/p\u003e\n\u003cp class=\"testogiust\"\u003e\u003ca href=\"http:\/\/www.antiqua.mi.it\/A_bronz_lug12.htm\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGennaro è stato allievo dello scultore Pietro Masulli (1820-1897) che gli trasmette l’idea di riprodurre l’arte antica, per cui la forza della Fonderia Chiurazzi, fin dall’inizio, è consistita nella straordinaria dotazione di modelli e calchi in gesso, eseguiti sugli originali conservati presso vari musei, primo fra tutti quello archeologico di Napoli.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ehttp:\/\/www.antiqua.mi.it\/SilenoChiurazzi_Mar16.html\u003c\/p\u003e\n\u003cp class=\"testogiust\"\u003e\u003ca href=\"http:\/\/www.antiqua.mi.it\/SilenoChiurazzi_Mar16.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSulla Fonderia e sul fondatore Gennaro Chiurazzi ci eravamo già intrattenuti a proposito di un \u003cem\u003eSileno ebbro\u003c\/em\u003e in bronzo e ai possibili rapporti tra Chiurazzi e Mollica (Nota 2).\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.antiqua.mi.it\/SilenoChiurazzi_Mar16.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eVi si leggeva che l’idea geniale messa in atto da Gennaro Chiurazzi è stata quella di riprodurre fedelmente gli oggetti d’arte antica, ma l’intuizione originale era stata del suo maestro, lo scultore Pietro Masulli.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.antiqua.mi.it\/SilenoChiurazzi_Mar16.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eTra l’altro si deve proprio a Masulli una delle prime versioni del \u003cem\u003eSileno\u003c\/em\u003e. Un esemplare alto 61 centimetri, recante sulla base la scritta “\u003cem\u003eP. Masulli. R.A.N. 1871\u003c\/em\u003e” (\u003cstrong\u003eFigura 4\u003c\/strong\u003e) è stato battuto a Londra da Christie’s nel dicembre dello scorso anno (Nota 3).\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sculpture","offers":[{"title":"Default Title","offer_id":29989503634,"sku":"9503634","price":6500.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/aphrodite-venus.jpg?v=1562506166"},{"product_id":"egyptian-nefertem-bronze-statuette-nefertoum-nefertum","title":"Nefertem","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"post-header\"\u003e\n\u003ch1\u003eAn Egyptian Nefertem Bronze Statuette\u003c\/h1\u003e\n\u003c\/header\u003e\n\u003cdiv itemscope=\"\" itemtype=\"http:\/\/schema.org\/Article\"\u003e\n\u003cspan itemprop=\"publisher\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Organization\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"author\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\u003cspan itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"\u003e\u003c\/span\u003e\n\u003cdiv itemprop=\"text\"\u003e\n\u003cp\u003eNefertem Bronze Statuette\u003c\/p\u003e\n\u003cp\u003eAn Egyptian Bronze Figure Of Nefertum, Late Period, Dynasty XXVI-XXX, Circa 664-332 B.C.\u003c\/p\u003e\n\u003cp\u003eThis rare Bronze amulet represents the god Nefertem, son of Sakhmet and member of the Memphis Triad.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNefertem\u003c\/b\u003e ; possibly “beautiful one who closes” or “one who does not close”; also spelled Nefertum or Nefer-temu) was, in Egyptian mythology, originally a lotus flower at the creation of the world, who had arisen from the primal waters.\u003cspan\u003e \u003c\/span\u003eNefertem represented both the first sunlight and the delightful smell of the Egyptian blue lotus flower, having arisen from the primal waters within an Egyptian blue water-lily, \u003ci\u003eNymphaea caerulea\u003c\/i\u003e. Some of the titles of Nefertem were “He Who is Beautiful” and “Water-Lily of the Sun”, and a version of the \u003ci\u003eBook of the Dead\u003c\/i\u003e says,\u003c\/p\u003e\n\u003cp\u003e“Rise like Nefertem from the blue water lily, to the nostrils of Ra (the creator and sungod), and come forth upon the horizon each day.”\u003c\/p\u003e\n\u003cp\u003eNefertem the child comes from his earth father Nun’s black primordial waters, and his sky mother is Nut. When he matures, he is Ra.\u003c\/p\u003e\n\u003cp\u003eNefertum was eventually seen as the son of the Creator god Ptah, and the goddesses Sekhmet and Bast were sometimes called his mother. In art, Nefertum is usually depicted as a beautiful young man having blue water-lily flowers around his head. As the son of Bastet, he also sometimes has the head of a lion or is a lion or cat reclining. The ancient Egyptians often carried small statuettes of him as good-luck charms.\u003c\/p\u003e\n\u003cp\u003eReprésenté dans l’attitude de la marche, la jambe gauche en avant, le bras droit replié sur la poitrine, le bras gauche le long du corps, le poing fermé sur un objet,  coiffé de la couronne de lotus flanquée de deux menat, autrefois incrustées, d’une perruque tripartite ornée d’un uraeus et vêtu d’un pagne court\u003cbr\u003eHauteur: 15 cm\u003c\/p\u003e\n\u003cp\u003eLe dieu Néfertem “divinité à l’odeur agréable” est généralement vénéré sous la forme d’une fleur de lotus bleu, c’est le dieu-lotus, fils de Ptah et de Sekhmet. Néfertoum semble représenter d’avantage l’odeur agréable du lotus, que la fleur elle-même comme en témoigne un passage des textes des pyramides.\u003cbr\u003eEtroitement lié au culte du dieu solaire Rê, c’est le fils du dieu solaire, il est en rapport avec la renaissance perpétuelle du disque solaire.\u003cbr\u003eNéfertem peut être représenté sous la forme d’un homme portant le symbole de la fleur de lotus, avec une couronne de plumes, il est également représenté sous la forme d’un lion, il devient alors un gardien redoutable des frontières orientales de l’Egypte.\u003cbr\u003eIl fait partie des 42 juges du tribunal d’Osiris d’après le livre des morts, il y représente Memphis.\u003cbr\u003eAssocié au dieu Ptah, et à la déesse Sekhmet il forment la triade de Memphis. Ses liens avec sa mère Sekhmet font également de lui un dieu à caractère guerrier, sous la forme d’un lion, il massacre ses ennemis, il est assimilé sous cette forme au dieu Mahes, qui à l’identique est le fils de la déesse Sekhmet ou encore de la déesse Bastet.\u003cbr\u003eNéfertoum peut être représenté sous huit aspects différents; un taureau, un lotus, un homme avec un lotus ouvert sur la tête, une momie à tête de lion, une momie avec une tête de lotus, un homme debout sur un lion, un homme assis sur un trône couronné d’une fleur de lotus, ou encore un homme marchant.\u003c\/p\u003e\n\u003cdiv id=\"tabWindow1\" class=\"navWindow lot-overview copy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"more-info\"\u003e\n\u003cdiv id=\"attachment_3270\" class=\"wp-caption aligncenter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Egyptian Nefertem Bronze Statuette","offers":[{"title":"Default Title","offer_id":32545158418,"sku":"5158418","price":2500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Nefertoum_top.jpg?v=1562506135"},{"product_id":"a-renaissance-after-a-roman-bronze-oil-lamp","title":"A Renaissance Bronze Oil Lamp after a Roman Head of a Nubian","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA Bronze Oil Lamp, Possibly Roman Or Workshop Of Severo Da Ravenna, Padua, 16Th Century 15,5 cm high \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"A Roman Bronze Oil Lamp Head of a Nubian\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/nubian-head-4_large.jpg?v=1486562195\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eSevero Calzetta da Ravenna\n\u003cp\u003eFrom Wikipedia, the free encyclopedia\u003c\/p\u003e\n\u003cb\u003eSevero (Calzetta) da Ravenna\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSevero di Domenico Calzetta\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(active ca 1496 – ca 1543) was an Italian sculptor of the High Renaissance and Mannerism, who worked in Padua, where he is likely to have finished his training, in Ferrara and in Ravenna, where he first appears in a document of 1496. Though Severo specialized in small bronzes, his only securely documented work is the marble\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSt John the Baptist\u003c\/i\u003e, signed by him, which was commissioned in 1500 for the entrance to the chapel of St Anthony in the Basilica of Saint Anthony of Padua, and remains in place. Though he produced religious figures, such as the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCorpus\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom a crucifix in the Cleveland Museum of Art, his main subjects were pagan, including dragons and satyrs, and functional objects, such as inkwells, candlesticks, and oil lamps. Pomponius Gauricus mentions Severo in his chapter on bronzes in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDe sculptura\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1504), without identifying any subjects. A mark of his convincing style\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eall'antica\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the fact that a bronze bust of a bearded man wearing a toga in the collection of the Rijksmuseum was long considered to be a Roman bronze. And a mark of the difficulty of attributions is the fact that it is attributed to Severo or to Tullio Lombardo\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eATTRIBUTED TO THE WORKSHOP OF SEVERO DA RAVENNA, PADUA, 16TH CENTURY\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis bronze lamp, mounted on an eagle's claw is made in the workshop of Severo da Ravenna in Padua or Ravenna in the first half of the 16th century.\u003c\/p\u003e\n\u003cp\u003eThe lamp is the head of a satyr with foliated beard and eyebrows, whose mouth forms the burner; a hinged cover to the oil hole is on the crown.\u003c\/p\u003e\n\u003cp\u003eThis lamp is of a well known type, derived from the antique, but more carefully finished than is usual.\u003c\/p\u003e\n\u003cp\u003eSevero da Ravenna or Severo di Domenico Calzetta da Ravenna was an Italian sculptor, active ca 1496, who died ca. 1543.\u003c\/p\u003e\n\u003cp\u003eHis father was probably a sculptor and he may have been related to the two painters of the same name working in the circle of Mantegna in Padua: Pietro Calzetta and Francesco Calzetta.\u003c\/p\u003e\n\u003cp\u003eSevero might have divided his time between Padua, Ferrara and Ravenna, where he was first recorded in 1496.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/renaissance_nubian-head_bronze_lamp_VA_large.jpg?v=1504523852\" alt=\"Severo Da Ravenna\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.apple-boutique.com\/?attachment_id=1762\" rel=\"attachment wp-att-1762\"\u003e\u003cimg class=\"alignleft size-medium wp-image-1762\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/blog_nubian-head_bronze_lamp-met-225x300.jpg?11666530170194205491\" alt=\"nubian-head_bronze_lamp met\" width=\"225\" height=\"300\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.apple-boutique.com\/?attachment_id=1772\" rel=\"attachment wp-att-1772\"\u003e\u003cimg class=\"alignleft size-medium wp-image-1772\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/blog_Severo_calzetta_da_ravenna_lampada_ad_olio_con_piede_rapace1-169x300.jpg?3006864465610580766\" alt=\"Severo_calzetta_da_ravenna,_lampada_ad_olio_con_piede_rapace\" width=\"169\" height=\"300\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.apple-boutique.com\/\/on-sale\/sculpture-works-of-art\/antique-bronze-oil-lamp\/severo_calzetta_da_ravenna_lampada_a_olio_a_forma_di_testa\/\" rel=\"attachment wp-att-1777\"\u003e\u003cimg class=\"alignleft size-medium wp-image-1777\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/blog_Severo_calzetta_da_ravenna_lampada_a_olio_a_forma_di_testa-191x300.jpg?13214088138002323616\" alt=\"Severo_calzetta_da_ravenna,_lampada_a_olio_a_forma_di_testa\" width=\"191\" height=\"300\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4\u003e\u003cspan class=\"s1\"\u003eApple Boutique\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cspan class=\"s1\"\u003eLocated in the rue de l’Ecole de Médecine No 1,  in the heart of Geneva’s art market, one street from the MAMCO (Museum of Contemporary Art), the The Patek Philippe Museum and the brand new Ethnological Museum  MEG – beside Plainpalais Flea Market - \u003c\/span\u003eApple Boutique\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003eFine Art Galleryis the finest and appropriate gallery in Geneva for dealing with drawings and watercolors.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cspan class=\"s1\"\u003eApple Boutique\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003eFine Art specializes in Old – Modern and Contemporary Master paintings and drawings from the fifteenth to the twenty-first century, and has been supplying museums, world-renowned galleries and interior designers with rare pieces of art and furniture.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eProviding with accurate advices on building a  collection or developing an existing one, Guidance on restoration and framing, Evalutations and appraisals.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan class=\"s1\"\u003eSituée au coeur du Marché de l’Art Genevois, derrière le Musée d’Art Contemporain MAMCO et le musée Patek Philippe à deux pas du nouveau Musée d’Ethnographie MEG, à côté du Marché aux Puces de Plainpalais, la Galerie du Apple Boutique Fine Art est l’endroit idéal pour dénicher des dessins, des Gravures ou des Tableaux Anciens mais aussi toutes sortes d’objets hétéroclites - de l’Archéologie à l’Art Contemporain en passant par les Livres Rares, l’Orfèvrerie, les Photos, la Numismatique ou l’Art Contemporain .\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cspan class=\"s1\"\u003eApple Boutique\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e saura vous conseiller et vous orienter au mieux pour la VENTE et l’ACHAT d’Oeuvres d’Art.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan class=\"s1\"\u003eAPPLE BOUTIQUE FINE ART GALLERY ASSURE AUSSI UN SERVICE DE DÉBARRAS D’APPARTEMENTS DE MAISONS, CAVES ET GRENIERS à Genève.\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch4\u003e\n\u003cspan class=\"s1\"\u003eDu Lundi au Vendredi de 10h à 18h et le Samedi de 9h à 15h\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003erue de l'Ecole-de-Medecine 1\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e1205 Genève\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eMobile:  +41 78 765 43 21\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003einfo @ appleboutique.com\u003c\/h4\u003e\n\u003c\/div\u003e","brand":"Sculpture","offers":[{"title":"Default Title","offer_id":43341791954,"sku":"1791954","price":7000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/roman_nubian-head_bronze_lamp-2.jpg?v=1562506053"},{"product_id":"grand-tour-bronze-sculpture-remus-romulus-wolf","title":"Grand Tour bronze sculpture of Remus, Romulus and the  wolf","description":"\u003cp class=\"p1\"\u003eA patinated bronze Grand Tour sculpture of Romulus and Remus and the wolf, probably Italian.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn a red and white marble base.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter the antique, \u003ci\u003eMusei Capitolini\u003c\/i\u003e, \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e19th century\u003c\/p\u003e","brand":"Grand Tour bronze sculpture","offers":[{"title":"Default Title","offer_id":1479385350162,"sku":"385350162","price":900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Remus-Romulus.jpg?v=1562506092"},{"product_id":"hardstone-intaglio-portrait-seal","title":"18th century Glass Intaglio Portrait Seal ","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"product_detail_title\" itemprop=\"name\"\u003e\u003cspan\u003eGeorge III gilded bronze glass intaglio fob seal comprises a profile portrait of the head and shoulders of . The seal is engraved into tinted glass set into an openwork gilded bronze pendent mount supported on a split ring.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnglish, 18th Century.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"product_detail_title\" itemprop=\"name\"\u003e34 mm x 23 mm x 18 mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"product_detail_title\" itemprop=\"name\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JEWELS","offers":[{"title":"Default Title","offer_id":31257628442742,"sku":"001","price":1500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Hardstone_Intaglio_Portrait_Seal_8a42e4c7-fa19-47fd-ba7b-2926c730a33a.jpg?v=1574766093"},{"product_id":"jain-shrine-india","title":"A Wood carved Jain Shrine from India 17th Century","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"firstHeading\" class=\"firstHeading\" lang=\"en\"\u003eA 17th Century Jain wood house temple from India\u003c\/p\u003e\n\u003cp class=\"firstHeading\" lang=\"en\"\u003eDimensions : width 93 cm Width 65 cm High 67 cm\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis wood carved Jain shrine is typical of Indian art. A wealthy individual from northwest India probably commissioned this small shrine for private, devotional practice. The details of the shrine are reminiscent of the architecture of the larger Jain temples from this region and here have been translated into miniature. \u003c\/p\u003e\n\u003cp\u003eFour posts stand atop a plinth, or base and support a roof, establishing a sort of portico or entrance to the shrine separating the sacred space from the mundane. \u003c\/p\u003e\n\u003cp\u003eThe richly decorated surface of the posts covered with floral motifs. double doors are missing. \u003c\/p\u003e\n\u003cp\u003eBehind the doors originally resided a figure of a savior called a tirthankara, one of twenty-four Jain deities. Perhaps it could even have housed a figure of Mahavira, the 6th century founder of Jainism \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003eA\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ehouse temple\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Ghar Derasar or Griha Chaityalaya) is a private\u003cspan\u003e \u003c\/span\u003eJain shrine\u003cspan\u003e \u003c\/span\u003ethat is placed within a personal residence.\u003cspan style=\"font-size: 12.5px;\"\u003e \u003c\/span\u003eSometimes it is separate room or structure in a compound.\n\u003cp\u003eJain scholars prescribe that the height of a pratima in a house shrine should not exceed 11\u003cspan\u003e \u003c\/span\u003eaṅgulas, i.e. about 21 cm.\u003c\/p\u003e\n\u003cp\u003eThe formal communal temple is often referred to as a\u003cspan\u003e \u003c\/span\u003eshikharbandi\u003cspan\u003e \u003c\/span\u003eJinalaya, i.e. with a\u003cspan\u003e \u003c\/span\u003eshikhara. Sometimes a temple starts as a house temple, which grows into a formal shikharbandi Jinalaya when the community grows to be sufficiently large.\u003c\/p\u003e\n\u003cp\u003eJain author\u003cspan\u003e \u003c\/span\u003eHaribhadra Suri\u003cspan\u003e \u003c\/span\u003estates in one of his famous grantha\u003cspan\u003e \u003c\/span\u003eSambodh prakran\u003cspan\u003e \u003c\/span\u003ethat-\u003c\/p\u003e\n\u003cp\u003eIf a\u003cspan\u003e \u003c\/span\u003elay person\u003cspan\u003e \u003c\/span\u003ehas savings more than 100 rupees, then there must be a\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003e\u003cu\u003eGhar derasar\u003c\/u\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eat his\/her home. Further he says that the house which does not have a\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"mw-selflink selflink\"\u003eGhar derasar\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis not a home, it is a graveyard.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJainism is an ancient religion from India. Followers are called Jains, and they practice non-violent behaviors to work toward individual perfection. Their ultimate goal is liberation from rebirth. A liberated individual who serves as an exemplar is known as a \u003c\/span\u003e\u003cem\u003eJina\u003c\/em\u003e\u003cspan\u003e (victor) also called a Tirthankara (one who fords the waters). Jain practice requires daily veneration of an image of a \u003c\/span\u003e\u003cem\u003eJina\u003c\/em\u003e\u003cspan\u003e, either at a community temple or at a home shrine. This shrine is an example of the elaborate \u003c\/span\u003e\u003cem\u003eghar derasars\u003c\/em\u003e\u003cspan\u003e (house temples) commonly commissioned by wealthy Jains for private use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jain_house_temple\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Jain_house_temple\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jain_temple\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Jain_temple\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jainism\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Jainism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Decorative Objects","offers":[{"title":"Default Title","offer_id":31425239744630,"sku":"5239744630","price":5500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Wood_carved_Jain_Shrine_from_India_17th._Century.jpg?v=1581236766"},{"product_id":"agostino-veneziano-portrait-of-thales-of-miletus","title":"Agostino Veneziano - Portrait of Thales of Miletus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Thales of Miletus\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print, some old ink writings.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 1 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089694011510,"sku":"9694011510","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/AgostinoVeneziano_ThalesofMiletus.jpg?v=1603018011"},{"product_id":"agostino-veneziano-portrait-of-miltiades","title":"Agostino Veneziano - Portrait of Miltiades","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Miltiades\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print, one corner repared.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 2 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089694208118,"sku":"9694208118","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Agostino_Veneziano-old_master_print.jpg?v=1603019213"},{"product_id":"agostino-veneziano-portrait-of-herodotus","title":"Agostino Veneziano - Portrait of Herodotus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Herodotus\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 3 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089696862326,"sku":"9696862326","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/AgostinoVeneziano-PortraitofHerodotus.jpg?v=1603020302"},{"product_id":"agostino-veneziano-portrait-of-thucydides","title":"Agostino Veneziano - Portrait of Thucydides","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Thucydides\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 3 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089725993078,"sku":"9725993078","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Thucydidesold_master_print.jpg?v=1603024429"},{"product_id":"agostino-veneziano-portrait-of-euripides","title":"Agostino Veneziano - Portrait of Euripides","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Euripides\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 5 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089765150838,"sku":"9765150838","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Euripides.jpg?v=1603034900"},{"product_id":"agostino-veneziano-portrait-of-socrates","title":"Agostino Veneziano - Portrait of Socrates","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Socrates\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 6 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32089774620790,"sku":"9774620790","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Socrates.jpg?v=1603036653"},{"product_id":"agostino-veneziano-portrait-of-lysias","title":"Agostino Veneziano - Portrait of Lysias","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Lysias\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 7 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32092346843254,"sku":"2346843254","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/PortraitofLysias.jpg?v=1603274648"},{"product_id":"agostino-veneziano-portrait-of-aristophanes","title":"Agostino Veneziano - Portrait of Aristophanes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Aristophanes\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 9 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32092460417142,"sku":"2460417142","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Aristophanes.jpg?v=1603277464"},{"product_id":"agostino-veneziano-portrait-of-isocrates","title":"Agostino Veneziano - Portrait of Isocrates","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Isocrates\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate 9 from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\" onmouseover=\"highlightS(1, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(1, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\" onmouseover=\"highlightS(2, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(2, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\" onmouseover=\"highlightS(3, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(3, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\" onmouseover=\"highlightS(4, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(4, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\" onmouseover=\"highlightS(5, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(5, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\" onmouseover=\"highlightS(6, 1, 'highlightS', '#dbdff3'); this.style.backgroundColor = '#dbdff3'\" onmouseout=\"highlightS(6, 1, 'unhighlightS', 'white'); this.style.backgroundColor = 'white'\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":32092469690486,"sku":"2469690486","price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/Isocrates_portrait.jpg?v=1603277946"},{"product_id":"macquartessais-recueil-memoires-sur-plusieurs-points-de-mineralogie","title":"Macquart, Louis-Charles-Henri: Essais ou recueil de memoires sur plusieurs points de minéralogie","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMacquart, Louis-Charles-Henri: Essais ou recueil de mémoires sur plusieurs points de minéralogie : avec la description des pièces déposées chez le roi, la figure, \u0026amp; l'analyse chimique de celles qui sont les plus intéressantes, \u0026amp; la topographie de Moscow [...]. A Paris : Chez Cuchet, 1789\u003c\/p\u003e\n\u003cdiv id=\"google_translate_element\" class=\"hidden-print\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"skiptranslate goog-te-gadget\" dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"space-top space-bottom\"\u003e\n\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e8vo: xxxvi-580 pp. . - Original edition by the French chemist, physician and professor in natural history L.C.H. Macquart (1745-1808). Ill. with 7 engr. pl. by Sellier after Fossier. \"The eight memoirs comprising the text are based on the author's travel experiences in the Urals, Siberia, the vicinity of Moscow, and Poland. Among them are several of great interest to the gemologist, eg, the first memoir, on chalcedony pseudomorphs after gypsum [...] with several specimens being depicted upon the first plate. A visit to the celebrated Wieliczka salt mines is narrated as well as visits to salt mines in Siberia. Memoirs three to five are mineralogically important [...]. The eighth memoir is gemologically the most important\" (Sinkankas). - Ref. Sinkankas 4117. - Poggendorff II:7. - BnF. - Opac KBR. - COPAC.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-top space-bottom\"\u003e\n\u003ch4\u003eArtist or Maker\u003c\/h4\u003e\n\u003cp\u003eMACQUART, Louis-Charles-Henri\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-top space-bottom\"\u003e\n\u003ch4\u003eDate\u003c\/h4\u003e\n\u003cp\u003e1789\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-top space-bottom\"\u003e\n\u003ch4\u003eCondition Report\u003c\/h4\u003e\n\u003cp\u003eContemp. quarter mottled calf with corners, marbled paper on covers, gilt orn. spine on 6 raised bands, brown leather title label.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rare books manuscripts","offers":[{"title":"Default Title","offer_id":39528490106998,"sku":"8490106998","price":5000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/products\/rare_books_2572bf38-8f04-45a4-bd6e-ac570c9a9d57.jpg?v=1638616684"},{"product_id":"aegyptian-limestone-relief","title":"AN EGYPTIAN PAINTED LIMESTONE RELIEF FRAGMENT","description":"\u003cp\u003eAN EGYPTIAN PAINTED LIMESTONE RELIEF FRAGMENT From Deir el-Bahari found by Édouard Naville.\u003c\/p\u003e\n\u003cp\u003eRepresenting Seth scepter \"\u003cspan lang=\"en\" class=\"BxUVEf ILfuVd\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"hgKElc\" data-mce-fragment=\"1\"\u003ethe head of a seth\" \u003c\/span\u003e\u003c\/span\u003eand a stone axe \u003c\/p\u003e\n\u003cp\u003eInserted into a marble plaque overall dimensions 906 mm x 124 mm x 20 mm.\u003c\/p\u003e\n\u003cp\u003ewith an inscription on the back \u003c\/p\u003e\n\u003cdiv data-hveid=\"CBQQAQ\"\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-expanded=\"true\" aria-controls=\"_PuQKZruPLM-LkdUPkPuAyAo_31\" class=\"dnXCYb\" jsaction=\"AWEk5c\" jsname=\"tJHJj\" data-mce-tabindex=\"0\"\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003e\"Fouilles de Deir el-Bahari sculpture de la XI ème dynastie (2500 ??? ) \u003c\/div\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003e Fin du ?? du roi Montouhotep\u003c\/div\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003eTrouvé par Édouard Naville\"\u003c\/div\u003e\n\u003cdiv data-ved=\"2ahUKEwi7pviJu6GFAxXPRaQEHZA9AKkQuk56BAgUEAI\" class=\"L3Ezfd\" jsname=\"pcRaIe\"\u003e\n\u003cdiv data-hveid=\"CCIQAQ\"\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-expanded=\"true\" aria-controls=\"_PuQKZruPLM-LkdUPkPuAyAo_39\" class=\"dnXCYb\" jsaction=\"AWEk5c\" jsname=\"tJHJj\" data-mce-tabindex=\"0\"\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"aj35ze\" jsname=\"Q8Kwad\"\u003eProvenance : Former Collection A. T. Geneva, by descent in the family, \u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eacquired from the \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003einheritor\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-ved=\"2ahUKEwi7pviJu6GFAxXPRaQEHZA9AKkQ7NUEegQIIhAE\" id=\"_PuQKZruPLM-LkdUPkPuAyAo_39\" class=\"bCOlv\" jsname=\"NRdf4c\"\u003e\n\u003cdiv class=\"IZE3Td\" jsslot=\"\"\u003e\n\u003cdiv data-ved=\"2ahUKEwi7pviJu6GFAxXPRaQEHZA9AKkQu04oAHoECCIQBQ\" data-hveid=\"CCIQBQ\" class=\"r2fjmd t0bRye\" jsname=\"oQYOj\"\u003e\n\u003cdiv id=\"PuQKZruPLM-LkdUPkPuAyAo__8\"\u003e\n\u003cdiv data-md=\"61\" class=\"wDYxhc\"\u003e\n\u003cdiv data-hveid=\"CBwQAA\" role=\"heading\" aria-level=\"3\" data-attrid=\"wa:\/description\" class=\"LGOjhe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-ved=\"2ahUKEwi7pviJu6GFAxXPRaQEHZA9AKkQ7NUEegQIFBAE\" id=\"_PuQKZruPLM-LkdUPkPuAyAo_31\" class=\"bCOlv\" jsname=\"NRdf4c\"\u003e\n\u003cdiv class=\"IZE3Td\" jsslot=\"\"\u003e\n\u003cdiv data-ved=\"2ahUKEwi7pviJu6GFAxXPRaQEHZA9AKkQu04oAHoECBQQBQ\" data-hveid=\"CBQQBQ\" class=\"r2fjmd t0bRye\" jsname=\"oQYOj\"\u003e\n\u003cdiv id=\"PuQKZruPLM-LkdUPkPuAyAo__13\"\u003e\n\u003cdiv data-md=\"61\" class=\"wDYxhc\"\u003e\n\u003cdiv data-hveid=\"CBcQAA\" role=\"heading\" aria-level=\"3\" data-attrid=\"wa:\/description\" class=\"LGOjhe\"\u003e\u003cspan lang=\"en\" class=\"BxUVEf ILfuVd\"\u003e\u003cspan class=\"hgKElc\"\u003eWas sceptres were used as symbols of power or dominion, and were associated with ancient Egyptian deities such as Set or Anubis as well as with the pharaoh.  sceptres also represent the Set animal or Khnum. In later use, it was a symbol of control over the force of chaos that Set represented.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-hveid=\"CBcQAA\" role=\"heading\" aria-level=\"3\" data-attrid=\"wa:\/description\" class=\"LGOjhe\"\u003e\u003cspan lang=\"en\" class=\"BxUVEf ILfuVd\"\u003e\u003cspan class=\"hgKElc\"\u003eSeth was represented as a composite figure, with a canine body, slanting eyes, square-tipped ears, tufted (in later representations, forked) tail, and a long, curved, pointed snout; various animals (including aardvark, antelope, ass, camel, fennec, greyhound, jackal, jerboa, long-snouted mouse, okapi, oryx, and pig) \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-hveid=\"CBcQAA\" role=\"heading\" aria-level=\"3\" data-attrid=\"wa:\/description\" class=\"LGOjhe\"\u003e\u003cspan lang=\"en\" class=\"BxUVEf ILfuVd\"\u003e\u003cspan class=\"hgKElc\"\u003eSeth was a powerful and often frightening deity, however he was also a patron god of the pharaohs, particularly Ramses the Great. He protected the dead on the way to the Afterlife.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARCHEOLOGY \u0026 ANTIQUITIES","offers":[{"title":"Default Title","offer_id":40644950130806,"sku":"","price":25000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/6ED59BB3-B246-4A94-9D05-AED6B0FB8F67_1_201_a.jpg?v=1711992525"},{"product_id":"diogenes-of-sinope-agostino-veneziano","title":"Diogenes of Sinope - Agostino Veneziano","description":"\u003cp\u003e \u003c\/p\u003e\n\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Diogenes Sinopeorum \u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print. No XI\u003c\/div\u003e\n\u003cdiv\u003e(tiny pin hole)\u003c\/div\u003e\n\u003cdiv\u003ePlate  from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41885004955766,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Diogenes-Sinepeorum.jpg?v=1736145141"},{"product_id":"agostino-veneziano-portrait-of-pan","title":"Agostino Veneziano - Portrait of Pan","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Pan \u003c\/div\u003e\n\u003cdiv\u003eApud Card. Caesium\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate  XLVII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41885005250678,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/PanXLVII.jpg?v=1736148392"},{"product_id":"antique-portrait-agostino-veneziano-2","title":"Antique Portrait - Agostino Veneziano","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of \u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003eApud Cardinalem Sanctarum Crucis\u003c\/div\u003e\n\u003cdiv\u003e(Minor Tear)\u003c\/div\u003e\n\u003cdiv\u003ePlate XX from :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41885005348982,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/IMG_4585.jpg?v=1736151337"},{"product_id":"agostino-veneziano-portrait-of-janus","title":"Agostino Veneziano - Portrait of Janus","description":"\u003cp\u003e \u003c\/p\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Double Portrait of Janus ?\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate LI from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41885005611126,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/LI.jpg?v=1736148967"},{"product_id":"agostino-veneziano-solon","title":"Agostino Veneziano - Portrait of Solon ?","description":"\u003cp\u003e \u003c\/p\u003e\n\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Solon ?\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\"Apud tiberium calcaneum sculptorem Florentinum\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate  XXIV from :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"OLD MASTER PRINTS","offers":[{"title":"Default Title","offer_id":41885005774966,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXIV_5267c6eb-6d38-49f5-a08d-26828ba7de33.jpg?v=1735203837"},{"product_id":"antique-portrait-agostino-veneziano","title":"Antique Portrait - Agostino Veneziano","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait \u003c\/div\u003e\n\u003cdiv\u003eApud Card. Caesium\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate  XVI from :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904763437174,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XLI2.jpg?v=1736150298"},{"product_id":"antique-portrait-agostino-veneziano-1","title":"Antique Portrait - Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Antique Portrait\u003cbr\u003e\u003cbr\u003eEtching - Drypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XLII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904763797622,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XLIIAPUDCARDCAESIUM.jpg?v=1736150808"},{"product_id":"antique-portrait-agostino-veneziano-3","title":"Antique Portrait - Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of \u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003eApud Johannem Antonium \u0026amp; Vincentium Romanos\u003c\/div\u003e\n\u003cdiv\u003ePlate XLV from :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904764158070,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XLVAPUDJOHANEMANTONIUS_TVINCENTIUMROMANOS.jpg?v=1736152055"},{"product_id":"antique-portrait-agostino-veneziano-4","title":"Antique Portrait - Agostino Veneziano","description":"\u003cp\u003e \u003c\/p\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait from the antique\u003cbr\u003eIn Hortis Caesys\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XL  from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904764321910,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XLINHORTISCAESIIS.jpg?v=1736152488"},{"product_id":"old-master-print-agostino-veneziano","title":"Old Master Print - Agostino Veneziano","description":"\u003cp\u003e \u003c\/p\u003e\n\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait \u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXVII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904764682358,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXVIIDiogene_e279295f-d7a8-4c6a-8637-f344adba6c93.jpg?v=1736149497"},{"product_id":"antique-portrait-xxi-agostino-veneziano","title":"Antique Portrait XXI Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait No 21\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003eApud Card. Caesium \u003c\/div\u003e\n\u003cdiv\u003e(Ink trace on the back, some graphite in the eyes)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXI from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904844898422,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/APUDCARD.CAESIUMXXI.jpg?v=1736154599"},{"product_id":"old-master-print-agostino-veneziano-1","title":"Old Master Print Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait No XXXIX\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXIX from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904845258870,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXIX_efbc6d7a-4c45-4c6d-ba6d-061f854808e0.jpg?v=1736155188"},{"product_id":"hercules-print-agostino-veneziano","title":"Hercules Print - Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Hercules ?\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003eApud Paulum Busalum Ciuem Ro\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXVI from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904845914230,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXVIAPUDPAULUMBUFALUMCIUEMRO..jpg?v=1736155594"},{"product_id":"after-the-antique-agostino-veneziano","title":"After the Antique - Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of \u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXVII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eL'umanista portoghese Aquiles Estaço (Achille Stazio) (1524 - 1581) fu autore di una delle prime raccolte dedicate all'iconografia antica. Il volume contiene 52 tavole relative ad altrettante erme-ritratto in marmo, per la maggior parte antiche, raffiguranti personaggi celebri su sfondo neutro e ombreggiato. La didascalia in latino riporta il nome della collezione di appartenenza. Malgrado siano prive di firma, si ritiene generalmente che le tavole e il frontespizio siano opera dell'incisore Agostino Musi, detto Agostino Veneziano (1490 circa - post 1536).\u003cbr data-mce-fragment=\"1\"\u003eIllustrazioni calcografiche, iniziali xilografate, capilettera. Sul frontespizio, indicazione dell'editore Antonio Lafréry (1512 - 1577), uno dei più importanti stampatori romani.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904845946998,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXVII_a129872c-4b61-47aa-a197-09369e44a3db.jpg?v=1736155970"},{"product_id":"antique-portrait-xxii-agostino-veneziano","title":"Antique Portrait XXII - Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait after the antique\u003cbr\u003e\u003cbr\u003eDrypoint on parer 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e(Ink trace)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904845979766,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXII.jpg?v=1736152818"},{"product_id":"roman-print-agostino-veneziano","title":"Roman Print Agostino Veneziano","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Roman Portrait after the antique\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXIX from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904916070518,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXIX_d01d1fea-a0db-41b9-84d4-ed12080f9923.jpg?v=1736157602"},{"product_id":"agostino-veneziano-old-master-print","title":"Agostino Veneziano Old Master Print","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait after an antique Statue in Rome\u003c\/div\u003e\n\u003cdiv\u003eAPUD JOHANNEM ANTONIUM, T VICENTIUM ROMANOS\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXX from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904916168822,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXAPUDJOHANNEMANTONIUM_TVICENTIUMROMANOS.jpg?v=1736158618"},{"product_id":"agostino-veneziano-portrait-of-a-roman-statue","title":"Agostino Veneziano Portrait of a Roman Statue","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of a Roman Statue in Rome \u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXIII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904916201590,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXIIIAPUD.jpg?v=1736159383"},{"product_id":"etching-after-the-antique-agostino-veneziano","title":"Etching after the Antique Agostino Veneziano","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of a Roman statue in Rome\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print ( slightly faded)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXVI from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904916234358,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXVIbust.jpg?v=1736159995"},{"product_id":"etching-portrait-agostino-veneziano","title":"Etching Portrait Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait after the antique\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXIII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904916594806,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXIII.jpg?v=1736156380"},{"product_id":"roman-sculpture-print-agostino-veneziano","title":"Roman sculpture Print Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait after Roman antique sculpture from \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePope Julius III Gardens.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIn Hortis Cardinalis de Medicis prope villam Julii III Pont. Max.\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXIV from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904923017334,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXIV.jpg?v=1736158107"},{"product_id":"fine-print-by-agostino-veneziano","title":"Fine Print by Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"nav-collapse\" class=\"collapse col-md-12\" data-mce-fragment=\"1\"\u003e\u003cnav class=\"menu-sx\" data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait  after the antique\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXI from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"box-title\" data-mce-fragment=\"1\"\u003e\n\u003ca class=\"print-ico\" data-mce-fragment=\"1\"\u003e\u003ci class=\"fa fa-print fa fa-grey\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904923377782,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXI.jpg?v=1736159011"},{"product_id":"agostino-veneziano-roman-statue-in-rome","title":"Agostino Veneziano Roman statue in Rome","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Etching of Roman statue in Rome\u003c\/div\u003e\n\u003cdiv\u003eAPUD CARD. CAESIUM \u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXXV from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904923410550,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXXVAPUDCARD.CAESIUM.jpg?v=1736159551"},{"product_id":"agostino-veneziano-theophrastus","title":"Agostino Veneziano Portrait of Theophrastus","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Portrait of Theophrastus\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XIII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904923803766,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Theophrastus..jpg?v=1736234773"},{"product_id":"old-master-print-agostino-veneziano-2","title":"Old Master Print Agostino Veneziano","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait No 25\u003cbr\u003eAPUD TIBERIUM CALCAGNUM SCULPTOREM FLORENTINUM\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print. \u003c\/div\u003e\n\u003cdiv\u003e(one spot)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XXV from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41904923836534,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/XXVAPUDTIBERIUMCALCAGNUMSCULPTOREMFLORENTINUM.jpg?v=1736157154"},{"product_id":"agostino-veneziano-portrait-of-lamas","title":"Agostino Veneziano Portrait of Lamas","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Lamas \u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XV from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906326405238,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Lamas.jpg?v=1736235557"},{"product_id":"agostino-veneziano-portrait-of-diogenes","title":"Agostino Veneziano Portrait of Diogenes","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Diogenes\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906326503542,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Diogenes.-portraitJPG.jpg?v=1736235373"},{"product_id":"agostino-veneziano-alexander-the-great","title":"Agostino Veneziano Alexander the Great","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Alexander the Great\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate  from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906326569078,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Alexanderthegreat.jpg?v=1736235158"},{"product_id":"agostino-veneziano-karneades","title":"Agostino Veneziano Portrait of Karneades","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Portrait of Karneades\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate XIV from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906326601846,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/Karneades2.jpg?v=1736234946"},{"product_id":"agostino-veneziano-double-herm-panathenaic","title":"Agostino Veneziano Double Herm Panathenaic","description":"\u003caside data-mce-fragment=\"1\" class=\"sx col-md-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav data-mce-fragment=\"1\" class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of \u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate LII from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle data-mce-fragment=\"1\" class=\"main-content col-md-9\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"box-title\"\u003e\n\u003ca data-mce-fragment=\"1\" class=\"print-ico\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAquiles Estaço,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906332237942,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/LII.jpg?v=1736236750"},{"product_id":"agostino-veneziano-dionysus-young-and-mature","title":"Agostino Veneziano - Dionysus young and mature","description":"\u003caside class=\"sx col-md-3\"\u003e\n\u003cdiv class=\"collapse col-md-12\" id=\"nav-collapse\"\u003e\u003cnav class=\"menu-sx\"\u003e\n\u003cdiv\u003eAgostino Veneziano, Portrait of Double herm of god Dionysus young and mature\u003cbr\u003e\u003cbr\u003eDrypoint on paper 310 mm x 212 mm\u003c\/div\u003e\n\u003cdiv\u003eVery fine print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePlate  from \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003carticle class=\"main-content col-md-9\"\u003e\n\u003cdiv class=\"box-title\"\u003e\n\u003ca class=\"print-ico\"\u003e\u003ci class=\"fa fa-print fa fa-grey\"\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAquiles Estaço,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInlustrium Viror. ut exstant in Urbe expressi vultus\u003c\/em\u003e, Roma, 1569\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"s2_1\"\u003eThe Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_2\"\u003eThe volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_3\"\u003eThe Latin caption shows the name of the collection.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_4\"\u003eDespite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).\u003c\/span\u003e\u003cbr\u003e\u003cspan id=\"s2_5\"\u003eChalcographic illustrations, xylographate initials, letter heads.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"s2_6\"\u003eOn the title page, the editor Antonio Lafréry (1512 - 1577), one of the most important Roman printers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\"\u003ehttps:\/\/mostre.sba.unifi.it\/tesori-inesplorati\/it\/132\/inlustrium-viror_-ut-exstant-in-urbe-expressi-vultus\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/article\u003e","brand":"Old Master Prints","offers":[{"title":"Default Title","offer_id":41906332303478,"sku":null,"price":550.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/files\/DoublehermofgodDionysusyoungandmatureXLIIIback.jpg?v=1736236438"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1734\/1149\/collections\/alabaster_alabastron.jpg?v=1577092239","url":"https:\/\/appleboutique.com\/collections\/archeology-antiquities.oembed?page=5","provider":"Apple Boutique® Antique Store","version":"1.0","type":"link"}