SOWERBY, James  Coloured figures of English fungi or mushrooms

SOWERBY, James Coloured figures of English fungi or mushrooms

Oct 20, 2015jules petroz

SOWERBY, James (1757-1822). 

Coloured Figures of English Fungi or Mushrooms. London: J. Davis [vols. I-II] or Wilks [vol. III] for the Author [and others, 1795-] 1797-1803 [-1815]. including Supplement, bound in 3, 2o (317 x 199 mm). Dedication to Sir Joseph Banks and James Edward Smith and 2pp. preface in vol. I, dedication to the Rev. Hugh Davies and 2pp. introduction vol. III 440 hand-colored engraved plates.


 FIRST EDITION OF ONE OF THE FINEST WORKS ON MUSHROOMS and fungi with the rare supplement, and one plate apparantly including an original mounted sample of the spore of a 200-year old puff-ball. The supplement was never completed and does not require a separate title page. The copper-engraved plates are printed using a single base color (normally black, but occasionally orange, brown, etc), they are all finished by hand. In his preface Sowerby notes the main uses to which fungi were put and goes on to write that "Some I am persuaded would assist in dyeing. Several of the Sphaerias yield the finest black I ever met with. The Lycoperdons afford in their ripe state different browns very copiously, in a fine impalable powder, fit for immediate drawing when mixed with a little gum arabic water. I intend when I figure some of the Lycoperdons to use their own powder to represent itself". Sowerby goes on to note, in the description for plate 268 "The little circle no.1 in the plate contains the powder or seeds mixed with gum arabic": neather the gum arabic nore the spores are visible. Henrey III.1363; Nissen BBI 1874; Stafleu & Cowan 12.490. James Sowerby From Wikipedia, the free encyclopedia Not to be confused with Sowerby's son James de Carle Sowerby, also a naturalist and illustrator. James Sowerby (21 March 1757 – 25 October 1822) was an English naturalist and illustrator. Contributions to published works, such as A Specimen of the Botany of New Holland or English Botany, include his detailed and appealing plates. The use of vivid colour and accessible texts were intended to reach a widening audience in works of natural history. James Sowerby was born in Lambeth, London, his parents were named John and Arabella. Having decided to become a painter of flowers his first venture was with William Curtis, whose Flora Londinensis he illustrated. Sowerby studied art at the Royal Academy and took an apprenticeship with Richard Wright. He married Anne Brettingham De Carle and they were to have three sons: James De Carle Sowerby (1787–1871), George Brettingham Sowerby I (1788–1854) and Charles Edward Sowerby (1795–1842), the Sowerby family of naturalists. His sons and theirs were to contribute and continue the enormous volumes he was to begin and the Sowerby name was to remain associated with illustration of natural history. An early commission for Sowerby was to lead to his prominence in the field when the botanist L'Hértier de Brutelleinvited Sowerby to provide the plates for his monograph, Geranologia, and two later works. He also came to the notice of William Curtis, who was undertaking a new type of publication. Early volumes of the first British botany journal, The Botanical Magazine, contained seventy of his works. In 1790, he began the first of several huge projects: a 36-volume work on the botany of England that was published over the next 24 years, contained 2592 hand-colored engravings and became known as Sowerby's Botany. A enormous number of plants were to receive their formal publication, but the authority for these came from the unattributed text written by James Edward Smith. It was the inclusion of science in the form of natural history, such as the thousands of botanical supplied by Smith or his own research, that distinguished Sowerby's art from early forms of still life. This careful description of the subjects, drawing from specimens and research, was in contrast to the flower painting of the Rococo period found illuminating the books and galleries of a select audience. Sowerby intended to reach an audience whose curosity for gardening and the natural world could be piqued by publishing the attractive and more affordable works. The appealing hand coloured engravings also became highly valued by researchers into the new fields of science. Original hand colored pattern plate for James Sowerby's "Mineral Conchology of Great Britain." His next project was of similar scale: the Mineral Conchology of Great Britain, a comprehensive catalog of maninvertebrate fossils found in England, was published over a 34-year time-span, the latter parts by his sons James De Carle Sowerby and George Brettingham Sowerby I. The finished worked contains 650 colored plates distributed over 7 volumes. He also developed a theory of colour and published two landmark illustrated works on mineralogy: the British Mineralogy(1804–1817) and as a supplement to it the Exotic Mineralogy (1811–1820).   Hand-coloured print from an engraving of Banksia spinulosa from A Specimen of the Botany of New Holland by Sowerby Sowerby retained the specimens used in the expansive volumes he helped to produce. Many notable geologists, and other scientists of the day were to lend or donate specimens to his collection. He had intended that his some thousands of minerals, many not known elsewhere, a great variety of fossils, most of the plants of English Botany about 500 preserved specimens or models of fungi, quadrupeds, birds, insects, &c. all the natural production of Great Britain become the foundation of a museum. The addition of a room at the rear of his residence, housing this collection, was to see visits from the president of the Royal Society, Joseph Banks, and Charles Francis Greville who also lent to the informal institution. A much sought exhibit, one that was frequently chipped for samples, was the Yorkshire meteorite; this was sighted and collected in 1795, the first recorded English meteorite. Legacy James' great grandson, the explorer and naturalist Arthur de Carle Sowerby continued the family tradition, providing many specimens for the British Museum and museums in Shanghai and Washington D.C. Bibliography Cassiterite from Cornwall, fromBritish Mineralogy, 1803 James Sowerby produced a large corpus of work that appeared in many different publications and journals. Some of the works begun by the paterfamilias of the Sowerby's was to be completed only by the generations that followed. His illustrations, publication and publishing concerns embraced many of the emergent fields of science. Besides the renowned botanical works, Sowerby produced extensive volumes on mycology, conchology, mineralogy and a seminal work on his colour system. He also wrote an instruction called A botanical drawing-book, or an easy introduction to drawing flowers according to nature. Florist's luxurians or the florist's delight, and; Sibthrop's Flora Graeca, 10 vols. 1806-40. Sowerby also supplied plates for Curtis's Flora Londinensis. English Botany or, Coloured Figures of British Plants, with their Essential Characters, Synonyms and Places of Growth, descriptions supplied by Sir James E. Smith, was issued as a part work over 23 years until its completion in 1813. This work was issued in 36 volumes with 2,592 hand-colored plates of British plants. He also published Exotic Botany in 1804. Smith's comprehensive work did not include Kingdom Fungi, Sowerby set out to supplement English Botany with his own text and descriptions. Coloured figures of English fungi or mushrooms, 4 vols. both appeared between 1789 and 1791. A Specimen of the Botany of New Holland Written by James Edward Smith and illustrated by James Sowerby, it was published by Sowerby between 1793 and 1795, becoming the first monograph on the Flora of Australia. It was prefaced with the intention of meeting the general interest in, and propagation of, the flowering species of the new antipodean colonies, while also containing a Latin and botanical description of the sample. Sowerby's own hand coloured engravings, based upon original sketches and specimens brought to England, were both descriptive and striking in depiction.

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